Reasonable. The whole truth about sensitive and sensible people What is prudence

To careful and logical thinking in advance of all important decisions, the search for balanced, reasoned conclusions and positions.

Reasonable person unhurried, says measured things and finds solutions that suit all parties.

Judgment is the opposite of both and solving issues based on intuition. Judgment is a part, one of the manifestations of rationality. A rational person can be both leisurely reasonable and decisive, ready to take risks for the sake of necessary urgency.

Reasoning and emotionality

emotionality (enthusiastic state of consciousness

As a rule, prudence and emotionality (an enthusiastic state of consciousness) contradict each other, however, in a developed personality, their peaceful coexistence and complementarity is quite possible. A reasonable, thoughtful, and at the same time bright and emotional person is not such a rarity. And great joy and beauty!

How to regain your sanity if you are addicted?

A normal person most of the time of every day is in an addicted state of consciousness. In this state, any, far from being the most important and not the most urgent thing, may seem extremely important: a thing that must be done right here and now. You, in fact, lose easily. How to regain sanity? Easy: starting to make a plan - in writing.

Indeed: they wrote one case, next to it were two other cases: that's it, the household dissipated. A written record changes your state of mind from infatuated to detached.

A detached state of consciousness is a view of what is happening as if from the outside, an objective view. Close is the third position of perception.

The view becomes objective, a fairly reasonable analysis begins: “This is an important matter, but in comparison with this - well, yes, the latter is still more important ...”.

Work on combining horoscopes is going very slowly, one might say painfully. The existence of harmonious people is indicated, the framework for the birth of artistic natures, emotions is determined, the possibility of the birth of great comedians is indicated ... Some kind of squeezing drop by drop, just three steps in seven years. But the topic is something interesting and very necessary.

The main thing to remember when combining horoscopes is the scope of new signs. The primary meaning of the alignment marks is to create an external effect. Thus, it is in the era of cinema and television that the combination of signs acquires great importance. After all, now it is much more important to look than to actually be. The greatest politician won't win the votes he needs if he doesn't look the part.

However, politics is a diverse thing, it has a place not only for people's favorites, telegenic geniuses, but also for jesters, brawlers, as well as rational, reasonable people. About reasonable, in fact, and will be discussed. Judgment is born from the combination of trines.

The mechanics of combining signs is very simple. The air signs (Aquarius, Gemini, Libra) must be combined with the strong-willed signs of the Dog, Tiger and Horse. The water signs (Pisces, Cancer, Scorpio) should be aligned with the realists of the Boar, Cat and Goat years. Fire signs (Aries, Leo, Sagittarius) ally with mystics born in the years of the Rat, Monkey and Dragon. And, finally, the signs of the earth (Taurus, Virgo, Capricorn) intersect with the signs of logic - Bull, Snake, Rooster (this applies only to men). Having made simple arithmetic calculations, we will get 36 combinations, subtract from them 12 cases of complete harmony, as well as combinations of Aries - Monkey and Sagittarius - Rat as fatal. There are only 22 pairs left. This is slightly less than 16%.

Studying a long list of famous Russian contemporaries, you immediately notice a small number of sensible people. There are almost none of them among artists and film directors, writers. But there are surprisingly many theater directors, athletes (among them are tennis players Evgeny Kafelnikov (Tiger, Aquarius), Alexander Volkov (Goat, Pisces), Andrei Chesnokov (Horse, Aquarius), football player Andrei Tikhonov (Dog, Libra), swimmer Alexander Popov (Boar , Scorpio); in any case, it is worth remembering that prudence and rationalism are not a hindrance to sports) and, not at all surprising, mathematicians, physicists and scientists in general.

It is more difficult to calculate where prudence is indispensable. The British, for example, say that prudence, up to complete tediousness, is very necessary for parliamentary leadership. Although our parliamentarism is still very young, we still found our ideal speakers. Ivan Rybkin (Dog, Libra) was a wonderfully imperturbable speaker, Gennady Seleznev (Boar, Scorpio) was remarkably boring. We underestimated Mikhail Gorbachev (Goat, Pisces), he would have made a good speaker. However, he himself is to blame, he wanted to become a popular favorite, and this requires something completely different (a large square).

It would not be bad to fill science with reasonable people. In science, such people tend to create powerful generalizations. The most famous of the famous: Dmitry Mendeleev (Horse, Aquarius), Albert Einstein (Cat, Pisces), Mikhail Lomonosov (Cat, Scorpio). Surprisingly, the rationalism of the scientist turns out to be akin to the meticulousness and scrupulousness of the poet, who achieves the highest success within the framework of the most inveterate norms and rules. The greatest of the greats Boris Pasternak (Tiger, Aquarius), Mikhail Lermontov (Dog, Libra), Alexander Blok (Dragon, Sagittarius) were quite far from pure art, subjecting their muse to strict rules.

And yet the main thing for rationalists is not so much to be as to seem. And here we inevitably go to the artists of the cinema. Someone must play not only with their eyes (gestures, gait, figure, etc.), but someone must make speeches, reason, read morals, rant, and most importantly, demonstrate the wretchedness of rationalism.

Let's start with Vysotsky (Tiger, Aquarius). Neither singing nor poetry is a hindrance to a rational warehouse, but on the screen, rationalism necessarily translates into edification and moralizing. Paradoxically, but the popular favorite was in the cinema a kind of moralist in the German manner. In the ingenious "Meeting Place" Zheglov's rationalism is very accurately set off by the emotional Sharapov (Konkin) and the over-emotional Gruzdev (Yursky). Nevertheless, our sympathies are on the side of Zheglov, because the investigator in the cinema needs to reason, and everyone needs to read morality.

Much less sympathy is von Koren ("Bad good man"). Here moralizing and rationalism border on lack of spirituality and cruelty. As an antipode - supersensitive Laevsky (Dal).

Another classic screen rationalist is Mikhail Kozakov (Dog, Libra). His Grieg ("Nameless Star") is rational to the point of cynicism. Arrogantly rational is the physicist from Nine Days of One Year, especially against the backdrop of the most romantic Gusev (Batalov). Colonel Francis is emphatically primitive and dry in the Kalyagin benefit performance “Hello, I am your aunt!”. Of course, the role of Silvio in "The Shot" is not accidental. And finally, the most famous role of Kozakov is Zurita in The Amphibian Man, where, against the background of the heavenly romantic Ichthyander and Gutteera, prudence and rationalism are simply disgusting.

Another stamped rationalist and lover to reason in front of the camera is Kirill Lavrov (Bull, Virgo). In The Brothers Karamazov, it is Ivan who is trusted to him, the most reasonable, and therefore, the most (according to Russian ideas) soulless. By the way, detective Lavrov also had to play ("Charlotte's Necklace").

Continuing the search for the main cinematic rationalists, we will inevitably find Oleg Basilashvili (Dog, Libra). Oleg Valeryanovich ideally demonstrated his rational data in the role of Samokhvalov ("Office Romance"), where, according to our tradition, rationalism smoothly turns into meanness. Even more disgusting is Merzlyaev’s rationalism (“Say a word about the poor hussar”), although no one will say that we have before us a villain, consumed by diabolical passions, an ordinary letter-eater. And again (like Yursky and Dal) he is opposed by characters played by artists of the big square (Gaft, Leonov). Well, the detective, of course, Basilashvili also played ("Confrontation").

The fate of Vyacheslav Shalevich (Dog, Gemini) is similar. Starting with the role of Shvabrin ("The Captain's Daughter"), a cynic and pragmatist in the Pushkin style, Shalevich continued in the same vein, playing the greedy and reasonable Grigory ("Three Poplars on Plyushchikha") against the background of two large-square lovers - Efremov and Doronina.

It is more difficult to be a rationalist for those who are in the top three of emotional signs (Cat, Goat, Boar). Here there is some contradiction between the annual sign (thinking) and the combination sign (image). Nevertheless, it is not forbidden to reason and intuition, emotional. Moreover, in this case, we get the figure of an ideal film detective, on the one hand, observant and calm, on the other, who knows how and loves to romp.

Thus, we come to the figure of the best film detective - Vasily Livanov (Boar, Cancer), who played Sherlock Holmes so well that even the British gasped. Of course, next to him, for shading, is the representative of the large square Vitaly Solomin.

Another detective, in our village manner, was played by Mikhail Zharov (Boar, Scorpio). He also owns a whole gallery of roles of all kinds of cunning, clever, rationalists from the plow. Here are Menshikov (“Peter I”), and Semibaba (“Restless Economy”), etc. His heroes are not free artists, not romantics, not handsome and not lucky. The work of the mind is always written on the foreheads of Zharov's heroes.

Another trick of our screen, another Mikhail Ivanovich, this time Pugovkin (Boar, Cancer). In his roles, he most often played soldier's ingenuity ("Kutuzov", "Maximka", "Admiral Ushakov", "Ships storm the bastions", "Wedding in Malinovka", etc.). IN reverse side- the role of people on your mind ("Operation" Y "," Girls "). Miller from "A Visit to the Minotaur" is exponentially reasonable and reasonable. That's who to be a detective!

One of the first demonstrative roles of a cynic logician who violates the laws of morality was played by Nikolai Gritsenko (Rat. Lion) in the film Big Family. Who has forgotten, we are talking about the head of the club, Veniamin Semenovich, who powdered the brains of a young girl, and then logically flawlessly, but completely insensibly, offered her all sorts of bad things. Of course, Alexei Zhurbin (Alexey Batalov) helps the girl out of the same big square. Gritsenko, on the other hand, was entrusted with playing another genius of rationalism disgusting to the Russian soul - Karenin (and between us, hand on heart, what Karenin is so guilty of, except that the soul is not visible). And how logical the scoundrel Speransky is in The Adjutant... Although there are enough emotions. However, there is no soul behind these emotions.

From the same cohort, Leonid Armor (Dragon, Sagittarius) and Vasily Merkuriev (Dragon, Aries). The first brilliantly realized his prudence, playing Muller ("Seventeen Moments of Spring"), the second often played inflated, self-confident, dry and soulless people. The same Academician Nestratov ("True Friends").

Of course, the list could be continued. However, the picture seems to be clear. Rationalism, prudence have a place on the screen. It is always very advantageous to oppose the physics and the lyrics, the pragmatist and the romantic, the rationalist and the free artist, the laws of logic and the laws of the soul.

Too reasonable people tend to analyze every thing, pay attention to all the details and try to find meaning in literally everything. They do not give themselves a break, so they are in constant tension, which is very difficult.

If you belong to this category of people, then probably the opinion of others is of great importance to you, and you are constantly trying to understand why they think that way. And if you also have a sensitive heart, then the habit of thinking about everything is probably driving you crazy, since you do not tell anyone about the results of your mental work.

Another bitter truth about sensitive thinkers is that they see the world primarily in black and white. They don't have "semifeelings", they either do or don't do at all; either love or hate; feel either completely happy or completely empty.

Often other people see you as too sentimental, too analytical, too emotional, too nervous, too romantic. And this upsets you, but you must understand that you cannot please everyone. And if you suddenly begin to restrain your feelings, you will be haunted by a feeling as if you are betraying yourself.

Such a person makes maximum internal efforts to take place in life, but he usually does not feel connected with the people around him and the world. That is why he achieves the greatest success when he works alone, or when he is protected from household duties.

Such people are capable of great love, but they do not like to flaunt their feelings. They have a fragile and hopeful heart, so when they are not reciprocated, they feel broken. Since they have fenced themselves off from the outside world, they need a lot of time to heal a love wound, even if it is very minor.

They are always trying to find meaning in everything: in their pain or in their grief; in their losses and the lessons that life has taught them. They can't just live without trying to find the answers to the questions they have.

They have a special relationship with the universe. Sometimes they feel deeply connected to it, but sometimes they feel as if the universe has abandoned them to their fate, and as if they no longer understand the world around them.

It often seems to them that the universe is against them, that it is fighting a battle with them that they do not even hope to win.

If you are an over-judgmental person with a sensitive heart, then the bed is the scariest place for you. This is where you have to fend off all those swarms of negative thoughts and fears that swarm over you as soon as you go to bed. It is at this place and at this time that you begin to rethink what you talked about and what you did during the day.

In the era of cinema and television, the combination of signs is of great importance, since it greatly helps to create an external effect, and now it is much more important to look than to actually be. The greatest politician won't win the votes he needs if he doesn't look the part.

However, politics is a diverse thing, it has a place not only for people's favorites, telegenic geniuses, but also for jesters, brawlers, as well as rational, reasonable people. Reasonable ones, in fact, will be discussed below.

Judgment is born from the combination of trines. The mechanics of combining signs is very simple. The air signs (Aquarius, Gemini, Libra) must be combined with the strong-willed signs of the Dog, Tiger and Horse. The water signs (Pisces, Cancer, Scorpio) should be aligned with the realists of the Boar, Cat and Goat years. Fire signs (Aries, Leo, Sagittarius) ally with mystics born in the years of the Rat, Monkey and Dragon. And, finally, the signs of the earth (Taurus, Virgo, Capricorn) intersect with the signs of logic - Bull, Snake, Rooster (this applies only to men). Having made simple arithmetic calculations, we will get 36 combinations, subtract from them 12 cases of complete harmony, as well as combinations of Aries - Monkey and Sagittarius - Rat as fatal. There are only 22 pairs left. This is slightly less than 16 percent.

Studying a long list of famous Russian contemporaries, you immediately notice a small number of sensible people. There are almost none of them among artists and film directors, writers. But there are surprisingly many theater directors, athletes (among them are tennis players Evgeny Kafelnikov (Tiger, Aquarius), Alexander Volkov (Goat, Pisces), Andrei Chesnokov (Horse, Aquarius), football player Andrei Tikhonov (Dog, Libra), swimmer Alexander Popov (Boar, Scorpio); in any case, it is worth remembering that prudence and rationalism are not a hindrance to sports) and, not at all surprising, mathematicians, physicists and scientists in general.

It is more difficult to calculate where prudence is indispensable. The British, for example, say that prudence, up to complete tediousness, is very necessary for parliamentary leadership. Although our parliamentarism is still very young, we still found our ideal speakers. Ivan Rybkin (Dog, Libra) was a wonderfully imperturbable speaker, Gennady Seleznev (Boar, Scorpio) was remarkably boring. We underestimated Mikhail Gorbachev (Goat, Pisces), he would have made a good speaker. However, he himself is to blame, he wanted to become a popular favorite, and this requires something completely different (a large square).

It would not be bad to fill science with reasonable people. In science, such people tend to create powerful generalizations. The most famous of the famous: Dmitry Mendeleev (Horse, Aquarius), Albert Einstein (Cat, Pisces), Mikhail Lomonosov (Cat, Scorpio). Surprisingly, the rationalism of the scientist turns out to be akin to the meticulousness and scrupulousness of the poet, who achieves the highest success within the framework of the most inveterate norms and rules. The greatest of the greats Boris Pasternak (Tiger, Aquarius), Mikhail Lermontov (Dog, Libra), Alexander Blok (Dragon, Sagittarius) were quite far from pure art, subjecting their muse to strict rules.

And yet the main thing for rationalists is not so much to be as to seem. And here we inevitably go to the artists of the cinema. Someone must play not only with their eyes (gestures, gait, figure, etc.), but someone must make speeches, reason, read morals, rant, and most importantly, demonstrate the wretchedness of rationalism.

Let's start with Vysotsky (Tiger, Aquarius). Neither singing nor poetry is a hindrance to a rational warehouse, but on the screen, rationalism necessarily translates into edification and moralizing. Paradoxically, but the popular favorite was in the cinema a kind of moralist in the German manner. In the ingenious "Meeting Place" Zheglov's rationalism is very accurately set off by the emotional Sharapov (Konkin) and the over-emotional Gruzdev (Yursky). Nevertheless, our sympathies are on the side of Zheglov, because the investigator in the cinema needs to reason, and everyone needs to read morality.

Much less sympathy is von Koren ("Bad Good Man"). Here moralizing and rationalism border on lack of spirituality and cruelty. As an antipode - supersensitive Laevsky (Dal).

Another classic screen rationalist is Mikhail Kozakov (Dog, Libra). His Grieg ("Nameless Star") is rational to the point of cynicism. Arrogantly rational is the physicist from Nine Days of One Year, especially against the backdrop of the most romantic Gusev (Batalov). Colonel Francis is emphatically primitive and dry in the Kalyagin benefit performance “Hello, I am your aunt!”. Of course, the role of Silvio in "The Shot" is not accidental. And finally, the most famous role of Kozakov - Zurita in "The Amphibian Man", where against the backdrop of heavenly romantic Ichthyander and Gutteera, prudence and rationalism are simply disgusting.

Another stamped rationalist and lover to reason in front of the camera is Kirill Lavrov (Bull, Virgo). In The Brothers Karamazov, it is Ivan who is trusted to him, the most reasonable, and therefore, the most (according to Russian ideas) soulless. By the way, detective Lavrov also had to play ("Charlotte's Necklace").

Continuing the search for the main cinematic rationalists, we will inevitably find Oleg Basilashvili (Dog, Libra). Oleg Valeryanovich ideally demonstrated his rational data in the role of Samokhvalov ("Office Romance"), where, according to our tradition, rationalism smoothly turns into meanness. Even more disgusting is Merzlyaev’s rationalism (“Say a word about the poor hussar”), although no one will say that we have before us a villain, consumed by diabolical passions, an ordinary letter-eater. And again (like Yursky and Dal) he is opposed by characters played by artists of the big square (Gaft, Leonov). Well, the detective, of course, Basilashvili also played ("Confrontation").

The fate of Vyacheslav Shalevich (Dog, Gemini) is similar. Starting with the role of Shvabrin ("The Captain's Daughter"), a cynic and pragmatist in the Pushkin style, Shalevich continued in the same vein, playing the greedy and reasonable Grigory ("Three Poplars on Plyushchikha") against the background of two large-square lovers - Efremov and Doronina.

It is more difficult to be a rationalist for those who are in the top three of emotional signs (Cat, Goat, Boar). Here there is some contradiction between the annual sign (thinking) and the combination sign (image). Nevertheless, the intuition, the emotional, is not forbidden to argue. Moreover, in this case we get the figure of an ideal film detective, on the one hand, observant and calm, on the other, who knows how and loves to romp.

Thus, we come to the figure of the best film detective - Vasily Livanov (Boar, Cancer), who played Sherlock Holmes so well that even the British gasped. Of course, next to him, for shading, is the representative of the large square Vitaly Solomin.

Another detective, in our village manner, was played by Mikhail Zharov (Boar, Scorpio). He also owns a whole gallery of roles of all kinds of cunning, clever, rationalists from the plow. Here are Menshikov (“Peter I”), and Semibaba (“Restless Economy”), etc. His heroes are not free artists, not romantics, not handsome and not lucky. The work of the mind is always written on the foreheads of Zharov's heroes.

Another trick of our screen, another Mikhail Ivanovich, this time Pugovkin (Boar, Cancer). In his roles, he most often played soldier's ingenuity ("Kutuzov", "Maximka", "Admiral Ushakov", "Ships storm the bastions", "Wedding in Malinovka", etc.). In the opposite direction - the role of people on their minds ("Operation "Y", "Girls"). Miller from "A Visit to the Minotaur" is exponentially reasonable and reasonable. That's who to be a detective!

One of the first demonstrative roles of a cynic logician who violates the laws of morality was played by Nikolai Gritsenko (Rat, Lion) in the film Big Family. Who has forgotten, we are talking about the head of the club, Veniamin Semenovich, who powdered the brains of a young girl, and then logically flawlessly, but completely insensibly, offered her all sorts of bad things. Of course, Alexei Zhurbin (Alexey Batalov) helps the girl out of the same big square. Gritsenko, on the other hand, was entrusted with playing another genius of rationalism disgusting to the Russian soul - Karenin (and between us, hand on heart, what Karenin is so guilty of, except that the soul is not visible). And how logical the scoundrel Speransky is in The Adjutant... Although there are enough emotions. However, there is no soul behind these emotions.

From the same cohort, Leonid Armor (Dragon, Sagittarius) and Vasily Merkuriev (Dragon, Aries). The first brilliantly realized his prudence, playing Muller ("Seventeen Moments of Spring"), the second often played inflated, self-confident, dry and soulless people. The same Academician Nestratov ("True Friends").

Of course, the list could be continued. However, the picture seems to be clear. Rationalism, prudence have a place on the screen. It is always very advantageous to oppose the physics and the lyrics, the pragmatist and the romantic, the rationalist and the free artist, the laws of logic and the laws of the soul.

perpetual motion machine

We strive for peace, we crave harmony, we are looking for symmetry everywhere, we are trying to streamline everything, smooth and slick. If we could achieve great success in our aspirations, the world would become like a crystal in which every atom knows its place, and long-range order triumphs over chaos and confusion. However, the world of people is not a crystal, the final order is contraindicated for it, its own 16 percent of chaos is always guaranteed.

Of course, we are talking about a vector ring again. It is this that brings disorder and disorder into the most measured life. Vector ring in interpersonal relationships, it is also in the personal life of each sign (karmic years). But the same vector ring can be hidden inside a person all his life if the signs of vector pairs are combined in his horoscope. Such people acquire a fiery motor instead of a heart, an eternal itch in many places, a constant craving for adventure.

It is not difficult to identify such people if we recall the vector ring (Horse - Rat - Monkey - Snake - Goat - Tiger - Ox - Dog - Rooster - Cat - Dragon - Boar - Horse, etc.), and also remember the correspondence of signs zodiac and annual (Capricorn-Rooster, Aquarius-Dog, Pisces-Boar, Aries-Rat, Taurus-Ox, Gemini-Tiger, Cancer-Cat, Leo-Dragon, Virgo-Snake, Libra-Horse, Scorpio-Goat, Sagittarius- Monkey). It is also easy to calculate that there are 24 such combinations out of 144 possible, the same 16.66 percent.

The first thing that catches your eye is the abundance of vector gummies in political circles. And indeed, why would a normal person get into politics if every joule counts, if he longs for peace and symmetry. The aforementioned engines are a completely different matter, which always have a couple of words in reserve, and the thirst for skirmishes and confrontations is literally in the blood.

The first of them is still Zhirinovsky (Dog, Taurus). Valeria Novodvorskaya (Tiger, Taurus) is always cheerful, caustic and tireless. Next come the favorites of the left-wing parliamentarians Chubais (Goat, Gemini), Nemtsov (Boar, Libra), Urinson (Monkey, Virgo). They are drowned, drowned, and they all float up, here and there. Some kind of Figaro...

To this list one can also add the communist businessman Semago (Dog, Capricorn), the sculptor-guitar Tsereteli (Dog, Capricorn), Nazdratenko (Bull, Aquarius), the eternal peacemaker Sergei Kovalev (Horse, Pisces) and the eternal youth Sergei Stankevich (Horse , Fish).

It would be easiest to call all these people adventurers. But we won't do that. They are good, restless, like clockwork hares with a Durasel battery, they are all rushing somewhere, going somewhere, continuing to beat their drums. Such pikes will not let carp fatten. We will never get bored with them.

If someone thinks that only in our politics there are many such self-moving subjects, then they are mistaken. For example, in Germany, Helmut Kohl (Horse, Aries) served as chancellor for many years. Outwardly, he was very calm. However, a really calm person would never have been able to stand in power for so many years. Their politics is also not a sanatorium.

Quite often, people of this kind choose the most active, “running” positions for themselves. For example, prime ministers. No wonder the most memorable for us Witte (Rooster, Cancer) and Kosygin (Dragon, Cancer) were from this restless tribe. Our current prime minister outwardly seems to be a calm and balanced person. However, what kind of temperament do you need to have in order to go through almost all the positions of the old and new authorities and reach the premier. Of course, Primakov (Snake, Scorpio) also belongs to the family of perpetual motion machines.

It is easy to imagine that the restlessness generated by a vector horoscope could well be useful in sports. I did not do a detailed analysis, but for the first time in hockey, this is the famous Wayne Gretzky (Bull, Aquarius), and our new Igor Larionov (Rat, Sagittarius), Alexander Mogilny (Rooster, Aquarius), Valery Kamensky (Horse, Aries), Alexey Kasatonov (Boar, Libra).

In tennis, Pete Sampras (Boar, Leo) is restless, never tired of victories, Andre Agassi (Dog, Taurus) is unsinkable. For women - the corrosive Frenchwoman Mary Pierce (Cat, Capricorn) and, of course, our Anna Kournikova (Rooster, Cancer).

But in football, this combination gives almost nothing. Forwards, midfielders and just backs do great without the extra fussiness. But the goalkeepers vector inside came in handy. Maybe in order not to fall asleep on the spot and keep the explosiveness. Our great Yashin (Snake, Scorpio), Harald Schumacher (Horse, Pisces), Dino Zoff (Horse, Pisces), Viktor Bannikov (Tiger, Taurus), Viktor Chanov (Boar, Leo).

However, let's not forget that a huge number of people are not at all interested in either politics or sports. They also want to know what these fidgets, these eternal youths look like... You can recall some names, some especially bright figures. For example, the brilliant show adventurer David Copperfield (Monkey, Virgo), rock radio idol Seva Novgorodtsev (Dragon, Cancer), forever young Alexander Vasilyevich Maslyakov (Snake, Scorpio). Each of them (especially the last one) could claim to be the Dorian Gray of today.

And now it's time to remember that the main meaning of combining horoscopes is revealed not in thinking and not even in external behavior, but in creating a certain image, a certain picture. Here we will have to turn to the artists and the roles that they choose, or rather, which they are trusted. For a more detailed study of the issue, we divide the 24 alignment characters into two groups of 12 characters each. One group includes those who have zodiac sign dominates the annual. Their external prevails over their internal, these are fatal people of the first kind, whose image is rather impudent. You can call them the masters of life, supermen, demonic personalities. In the latter, the annual sign dominates the zodiac, their image is much more modest, they do not pretend to be wolves, rather modest hares. However, inside they have exactly the same perpetual motion machine. You can call them modest, angels, wolves in sheep's clothing. In a word, we are talking about the very still pool in which the devils are found.

Demonic personalities are very useful in the role of seducers of all stripes. A typical example is Nikolai Eremenko (Bull, Aquarius). His heroes seem to have seduced all the women of the world. Starting with Julien Sorel in "Red and Black" and ending with all kinds of gangsters in the films of post-perestroika blackness.

Vasily Lanovoy (Dog, Capricorn) appeared no less charming in our cinema. However, his charm was not a simple one. The directors caught something fatal in his beauty. It was Lanovoy who was entrusted with playing Anatole Kuragin in War and Peace, Alexei Vronsky in Anna Karenina. In the new black movie, Lanovoy easily copes with the role of a scoundrel-committee.

Another unique actor with the same horoscope is Andrey Boltnev (Dog, Capricorn). His charm, his charm, it would seem, knows no bounds. It seems that he will play only goodies, detectives, pilots, etc. However, he is most remembered for his role as a hypnotically mesmerizing murderer in "Confrontation".

Beyond suspicion Leonid Filatov (Dog, Capricorn). But he plays, and brilliantly, both murderers, and seducers, and people, to put it mildly, of a dubious reputation.

Alexander Filippenko (Monkey, Virgo) turned out to be more transparent than others for villainous roles. Perhaps most memorable is his villainous role in A Visit to the Minotaur.

Of the young, but already well-known, Valery Garkalin (Horse, Aries) is the same Rabbits-Schniperson-Diamonds from Shirley Myrli.

Now about our modest ones, angels with devilish stuffing. Here is the standard Alexander Demyanenko (Bull, Gemini). A kind of burdock, a simpleton, a bungler ... However, in reality, he turns out to be not at all simple and quite famously cracks down on enemies. Take at least the role of Shurik in the films of Gaidai.

No less bright in the embodiment of the image of the eternal youth Oleg Tabakov (Boar, Leo). With this, the Nazis turn out to be purely angels. And yet he also had a chance to play what is supposed to be according to the horoscope. For example, the film "Handsome Man".

Igor Kvasha (Rooster, Aquarius) has a similar story. He always played youthfully charming modest people and suddenly he was honored to play Stalin himself (“Under the Sign of Scorpio”), and, perhaps, in the most sinister version in our entire film-Stalinian.

Of course, the list could be made much longer. However, it is necessary to leave at least a little space for female images. Unlike other combination structures, the same combinations work in the vector structure for women. Fatal women of the first kind in our cinema are proudly raised heads, eagle eyes, pressure ... Larisa Golubkina (Dragon, Pisces) - "Hussar Ballad", Natalya Belokhvostikova (Cat, Leo), Natalya Fateeva (Dog, Capricorn), Ninel Myshkova (Tiger, Taurus) - "Viper", Irina Muravyova (Bull, Aquarius).

The second kind is modest. Lyudmila Tselikovskaya (Goat, Virgo) - Shura in "Hearts of Four", Tonya in "Restless Household". Tamara Semina (Tiger, Scorpio) - Katyusha Maslova in Resurrection. And of course, Tatyana Samoilova (Dog, Taurus), whose angelic appearance erupts with such passions that oh-oh-oh: “The cranes are flying”, “Anna Karenina”.

Once again I remind you that all these are just images, and you should not identify the image with the person himself. For example, Pushkin (Goat, Gemini) also did not have an angelic character, but in fact turned out to be “our everything”. Here is Dostoevsky Fyodor Mikhailovich (Snake, Scorpio) ... Well, not an angel at all ...

funny horoscope

The nature of the funny has not yet been revealed. Otherwise, we would simply drown in a sea of ​​comedies. In the meantime, a successful comedy is more an accident than a pre-calculated matter. Directors devoted to the comedy genre in our cinema can be counted on the fingers of one hand (there are also few of them in world cinema). But even these select few have no guarantees that they will make us laugh again and again. Laughter is a thin coastline between the mainland of seriousness and the sea of ​​vulgarity. Moreover, the outlines of the mainland are changing all the time.

So, we are talking about the combination of horoscopes again. Imagine a 12x12 field with 144 cells. Each cell corresponds to one of the options for combining the annual horoscope and the zodiac. Let's start filling in the cells with the names of your favorite actors. There are many actors, enough for all the cells in abundance. However, the world is arranged unevenly, some cells are like overflowing chests, others are empty, like the primordial emptiness. Two overcrowded cages were especially striking, because almost all the laughter of world cinema had accumulated in them.

The first is the Rooster-Sagittarius. Here Yuri Nikulin (12/18/1921) is very close to Gennady Khazanov (12/01/1945). Both without the risk of making a mistake can be called the kings of laughter. In the highly controversial business of entertainment, only these two names are indisputable. Nearby is the world name - Juliet Mazina (11/22/1921). It was she who was called "Charlie Chaplin in a skirt." Ours are no worse - we are talking about Nina Ruslanova (12/05/1945), who proved that laughter is not a purely masculine thing and a woman can not only laugh, but also make her laugh. Galina Volchek (12/19/1933), now known as a theater director, is next to her. A very serious woman, but as an actress she played very comically. Recall at least the "Autumn Marathon". The position of another actress is indisputable - Zoya Fedorova (12/21/1909). Her life turned out to be quite tragic, but she had to play funny women, the same Gapusya in "The Wedding in Malinovka", a cook, a janitor, etc. Of the men, Evgeny Steblov (08.12.1945), who always played clumsy and long-necked youths. Another artist of the indicated horoscope is Igor Sklyar (12/18/1957). With his external data, his musicality, he could not get into comedic lands. However, the horoscope turned out to be stronger than appearance, antics and clowning began in the "Prisoner of If Castle", and, of course, the famous "Imitator". And to complete the picture, one story with an unrealized horoscope. Deanna Durbin (12/04/1921) could have become a comedy movie star, but there was no astute director for her, as a result - the same type of roles and a premature departure from the cinema.

Now about the second list, about Ox-Aries. Here, of course, all the planets revolve around one star, around Charlie Chaplin (04/16/1889). There is nothing to comment on here, as they say, I would just like to remind you that Chaplin not only acted, he created his immortal films and even wrote music for them. Since the Ox is more of a western sign than an imperial sign, the second and third numbers in this combination of signs are most likely to be born there. Of contemporaries, this, of course, is Eddie Murphy (04/03/1961). A handsome tall man, how did he manage to become a comedian? Unclear. Unless, of course, you do not know anything about his horoscope. Our answer is still very modest, although the list includes the clowns Makovsky and Kuklachev, the "academician" Tsekalo, the wonderful comedian Svetlana Nemolyaeva (04/18/1937).

Several names from the second list would cause controversy, because they have a comic talent side by side with other equally bright talents. You can remember Innokenty Smoktunovsky (03/28/1925) for the hilarious Detochkin (“Beware of the Car”), or you can for the title role in “Hamlet”. The same Boris Plotnikov (04/02/1949), who did not immediately come to comedy (for example, "Heart of a Dog"). What can we say about Alla Pugacheva, who, although she started with Arlekino and was never afraid of laughter, still does not work as a clown.

For a long time these two lists stick out like a thorn in my mind, because there is no theory of understanding the meaning of such combinations of signs. However, let us recall one of the laws of the ridiculous, the law of parody. Parody must necessarily be similar to the object of parody, why not assume that the parody effect occurs precisely with the so-called “minus one” combination. In fact, the Monkey corresponds to Sagittarius, the Rooster to Capricorn. Therefore, the Rooster minus one is the Rooster-Sagittarius. The situation is similar with the second combination: Ox minus one is Ox-Aries.

Using the discovered rule, we can easily calculate all other combinations: Boar-Aquarius, Rat-Pisces, Cat-Gemini, Snake-Lion, Horse-Virgo, Goat-Libra, Monkey-Scorpio. The list did not include three combinations, which, of course, are not devoid of a sense of humor and a parodic gift, but are still spoiled by an internal vector (see “Perpetual motion machine”). This is the Dog-Capricorn, Tiger-Taurus, Dragon-Cancer.

Let's start the search among the combinations predicted by the theory. Boar Aquarius. Here is a wonderful surprise - Leonid Gaidai (01/30/1923). One of the four pillars of Russian comedy. Of the artists, it is easy to notice Sergei Martinson (02/06/1899) and Valentina Talyzina (01/22/1935). If the first is the eternal Duremar of our cinema, then the second, respectively, is a fool (Alevtina is especially good in Zigzag of Fortune). Surprisingly, the hero of the Civil War and part-time hero of many jokes Vasily Ivanovich Chapaev (02/09/1887) has the same horoscope. The zigzags of the horoscope are amazing.

The horse, like the Boar, is a natural optimist, how is she doing? It turned out to be good. The Horse-Virgo gave us the second pillar of Russian comedy - George Danelia (08/25/1930). Of the artists, more precisely, the actresses, one must definitely remember Nadezhda Rumyantseva (09/09/1930), the record holder for the number of main roles in comedy films (“Unyielding”, “Girls”, “Queen of the Gas Station”, etc.).

Let's go in order. Goat-Libra. This sign is represented by Inna Churikova (October 5, 1943), who, despite the presence of a super-serious director husband, always acted as funny as possible. In the same horoscope, the great comedian Bester Keaton (10/04/1895). Further, our contemporaries Elena Sanaeva (10/21/1943) and Marina Dyuzheva (10/09/1955) (“Mimino”, “Pokrovsky Gates”). And finally, the star of black humor Alexander Bashirov (09/24/1955). A brilliant list, not much inferior to the original two.

Monkey Scorpio. Here, Danny DeVito (11/17/1944) and our Nikolai Karachentsov (10/27/1944) are in the lead roles. Maybe not dense, but not empty either.

Forgot about the combination Snake-Lion. It includes the world-famous comedian Bourvil (07/27/1917) and our wonderful writer, actor and director Vasily Shukshin (07/25/1929). There is no doubt that the comic in Shukshin would have overcome the tragedy that the sign of the Snake bestows, and he would have made many more funny films.

It remains to deal with one sign - the Cat. The sign in our and not only our cinema is one of the main ones. And in terms of humor, one of the most important. Cats are always joking, no matter how serious the material they have to work with. It is among the Cats that our main comedic forces are. Of the directors: Alexandrov, Ryazanov, Menshov, Gray, Titov, Dovlatyan, Dorman, Korenev, etc. However, the universality of Cat's humor makes additional zodiac parody unnecessary. Which, however, does not prohibit making funny movies (Dovlatyan) and playing in funny movies (Igor Dmitriev) Gemini Cats.

Let's sum up some results. Three combinations are legally rejected, the Cat is pushed aside due to a too rich sense of humor. Somewhere in the folds of film history, the Rat is lost. The remaining seven signs in the combination "minus one" gave the most powerful bursts of laughter, laughter, pictorial, cinematic. As a result, these seven cells on a huge field of 144 cells gave a large and better half of all cinematic humor. It seems that the described phenomenon is one of the most powerful in the entire structural horoscope.

thoughtful people

On the screen, all images are held in high esteem. Adventurers, and bores, and pea jesters will come in handy. Perhaps, only the image of the philosopher is not in honor. Being brooding and detached is not cinematic. It's a pity, because the philosophical combination of the signs of the horoscope is the most harmonious. A philosopher is both an artist (large square) and a thinker (small square), at the same time handsome and reasonable. Such people need the role of either a hermit, detached from the world, or some kind of large-scale personality, non-vain and harmonious.

The combination is quite rare, only 12 out of 144, and we are talking only about men. It is easy to list all the options: Rooster-Capricorn, Dog-Aquarius, Boar-Pisces, Rat-Aries, Ox-Taurus, Tiger-Gemini, Cat-Cancer, Dragon-Lion, Snake-Virgo, Horse-Libra, Goat-Scorpio, Monkey -Sagittarius.

Amazing people were born under a harmonious star. The greatest of the greatest Johann Wolfgang Goethe (Snake, Virgo). He lived for 83 years, he wrote his best work - "Faust" for 24 years, from 59 years old until the end of his life. The rarest case for all signs, but especially for the Snake, shooting at the start and barely crawling to the finish line. The greatest poet, writer and philosopher, he managed to take up jurisprudence, medicine, natural sciences, led a secular life, and was engaged in administrative activities. The widest range of interests - the widest, panoramic vision.

Another great poet, Dante Alighieri (Bull, Taurus), has a similar trajectory of life. He also went all his life to the greatest work that he wrote the last 14 years of his life. The Divine Comedy is the same pinnacle of world culture as Faust.

The music philosopher was Dmitri Shostakovich (Horse, Libra). However, as befits the owner of the most harmonious horoscope, no tediousness, no zaum – there is a place for light and darkness, there is lightness, but there is also depth. There are almost no composers of such a range in world history.

Yuri Norshtein (Snake, Virgo), who created the most thoughtful hedgehog on Earth (“Hedgehog in the Fog”), is becoming more and more a philosopher from animation.

One can give many more examples of the greats of this world, who started smartly and successfully, but gradually left the light genre for the sake of global philosophical generalizations. Vsevolod Meyerhold and Sergei Eisenstein (both Dog, Aquarius), Alexander Galich, Yuri Tynyanov, Ivan Bunin (all Horse, Libra), Konstantin Tsiolkovsky (Snake, Virgo).

It is even more interesting to observe how those owners of a harmonious horoscope, who until recently were considered eternally young bullies, begin their departure from the hustle and bustle. We have the notorious "spice" Boris Berezovsky (Dog, Aquarius), they have Bill Gates (Goat, Scorpio). So far, they seem to us almost adventurers, but very soon their movements will become smooth and unhurried, and their faces detached and thoughtful.

Now about the most important thing - about the artists with this combination of signs. The range of these artists is limitless, they can play everything. Sense of proportion, humour, beauty and elegance, but at the same time convincing judgment. They are all the same - to be silent or to speak. And yet, sooner or later, they are pushed into the roles of philosophical, deep, the roles of very strongly thinking people. They play a complete fusion of intuition and logic.

The first to remember is Rostislav Plyatt (Monkey, Sagittarius). No matter what this master of the theater played in the cinema, everywhere he remained a thinker, a sage, an enlightened person. Pasteur Schlag from "Seventeen Moments", father-in-law from "Afterword". However, he was younger - he played ridiculous lumps.

The film career of Yuri Bogatyrev (Boar, Pisces) is filled with ridiculous lumps. However, there is also the amazing Egor Shilov ("At Home Among Strangers..."), one of the few supermen who combines wisdom, courage, passion and at the same time absolute control over his passions. He was a very thoughtful person. And why? Because Vanyukin (Kalyagin) stuffed him with drugs and Shilov could not remember who he was, where he was and what happened to him. Half the film thought, so expressively, that he became famous for this role once and for all.

Another genius of thoughtfulness Sergey Yursky (Boar, Pisces). Many completely diverse roles have been played, including comedic ones, and yet in the memory of the people he is primarily Ostap Bender (“The Golden Calf”), but not the smart and anecdotal Ostap Gomiashvili and not the foppish Ostap Mironova, but Ostap the philosopher, a thinking person and deep, despite the smallness of his character's dreams.

Aleksey Eibozhenko (Dog, Aquarius) was considered an artist of the second echelon. Maybe that's the way it is, but I personally was struck by the role of Major Danilov ("For the rest of my life") at the time. An incredible combination of inner strength with external discreetness, even lethargy. It is a rare case when reverie is convincing.

Basically, this combination of signs remained unclaimed. The Thinker has never been the main character in a movie. Now the star of Alexander Domogarov (Cat, Cancer) is rising. As long as its advantageous texture is being used. Now he is a midshipman, then a bully and bully Bussy, then a detective. However, a sad, wise look betrays a thoughtful person in him. Will they be able to offer him a role worthy of his horoscope? Unknown.

Veniamin Smekhov (Dragon, Leo) has not yet played roles commensurate with his scale, the magnificent Efim Kopelyan (Rat, Aries) did not wait for the main roles, not everything worked out in the career of Yuri Nazarov (Bull, Taurus).

But even this is not striking. The cells of the highest harmony on the 144-cell board of combining signs are the most empty. There are no artists in pairs Horse-Libra, Goat-Scorpio, Snake-Virgo, Rooster-Capricorn, Tiger-Gemini, etc.

But maybe this situation is only in our cinema? Maybe European and American cinema is filled with deep thinkers and thoughtful philosophers? Unfortunately no. In American cinema, actors with an inner vector are at an incredible price, there are almost 50 percent of them (and it should be 16 percent). In European cinema, the price of romance is big square actors, but there are almost no philosophers. However, among those who still made it through, the actors are amazing.

In the USA, this is primarily the titanic Jack Nicholson (Bull, Taurus). Sometimes it seems that he has played all the smart roles of American cinema. Its specificity is an image of a rich inner life with external calmness. He is removed from Polanski, Antonioni, Foreman - the most profound and philosophical directors. The high point was One Flew Over the Cuckoo's Nest. After this masterpiece, Nicholson had to repeatedly play an escape from the hectic life.

Another celebrity was Gary Cooper (Bull, Taurus). This one, perhaps, did not play rich philosophers inner life, but the harmony of his horoscope worked out completely. On the screen, he was perfect, combining a sense of humor, beauty, stateliness, dexterity, courage. At the same time, he maintained an unconstrained slowness, restraint, and did not drag internal experiences outward. There was no other such calm cowboy and sheriff in American cinema.

Spencer Tracy (Rat, Aries) is not so widely known, he played earthly, solid people, for example the main role in The Old Man and the Sea. Chunky, thick, with a wrinkled face and a penetrating look, Tracy and his characters have always inspired confidence in the viewer. However, every year his roles became more and more thoughtful, and at the end of his career he was already playing the deepest intellectuals.

In European cinema, you can name just one name - Philippe Noiret (Horse, Libra). An infinitely charming person and artist, better known to us as a “corrupt policeman”, played his most thoughtful role in the film “The Old Gun”. Throughout the film, he acts in accordance with his memories (avenging his murdered wife and child). Only a thoughtful horoscope can accurately depict the work of such a living memory.

Silent movie

Laconic, charming in their silence, in our cinema they are, of course, in the center of universal love, universal adoration. It's about the artists of the big square. Closed year signs (Snake, Monkey, Boar, Tiger) in combination with mutable zodiac signs (Pisces, Gemini, Virgo, Sagittarius), orthodox year signs (Dog, Ox, Dragon, Goat) in combination with fixed zodiac signs (Aquarius, Taurus , Leo, Scorpio), and finally, the open signs of the horoscope (Rooster, Rat, Cat, Horse) in combination with a cardinal cross (Capricorn, Aries, Cancer, Libra). Initially, 48 options (3x16), minus 12 philosophers and 8 combinations of the internal vector - a total of 28 options, quite a lot, especially considering that the big square law not only equalizes women's rights with men, but also gives them an advantage. (Philosophers don't count, so women have 40 options.)

Kakhi Kavsadze (Boar, Gemini) in the film "Love at First Sight", offended by his daughter, declares a vow of silence. He is silent, but how expressively he does it. His eyes, mustache, figure ... Every detail spoke, screamed in him. In "White Sun", playing Abdullah, he is also not too talkative. But what is the facial expression, everything is clear and without words.

In the same film, another silent person Pavel Luspekaev (Cat, Aries) plays. Remember the scene on the longboat? An almost silent scene, the boastful chatter of the Basmachi and the expressive, golden silence of Vereshchagin, sometimes a short phrase like: “Wash, guys!”

And, of course, the most main character"Suns" also from a large square of silent people - Anatoly Kuznetsov - Sukhov (Horse, Capricorn). If you do not take virtual letters, then all we hear is the exclamation "That's for sure!" and “Gyulchatay!”, short military orders, small speeches about the dangers of polygamy. And so basically he blows his nose, repairs weapons, and of course shoots, jumps, runs. With all this, he became the favorite of the large Russian people.

Sukhov's recipe was successfully used in the shooting of the latest film - "Peculiarities of the National Hunt." The general smokes a cigar meaningfully, grunts, occasionally says: “Well, damn it, give!”, And also makes ultra-short toasts. With all this, he is certainly the central character and absolute authority. Only an artist of a large square could play this, in this case Alexei Buldakov (Cat, Aries). The glory of Buldakov after "Features" became deafening. Why was it not noticed before? Yes, because there was too much text. And then he finally shut up. And immediately became famous.

The real superstar of silent cinema was Igor Ilyinsky (Bull, Leo). His expressiveness in silent films is amazing. He hasn't played much in sound films. But even here he is best in silent scenes (“Volga-Volga”, “Hussar Ballad”). In "Volga" he loses his voice, in "Ballad" he does not want to speak because of fatigue.

The most charming romantic hero of our cinema, Alexei Batalov (Dragon, Scorpio), always knew exactly how and how much to speak from the screen. Already in the "Rumyantsev Case" he nobly keeps silent in the investigator's office. In "My Dear Man", he silently jumps from the tram, silently endures his wife's lies. In "Nine Days of One Year" the silence of the great physicist becomes the main plot line. Trubetskoy is silent on Senate Square in "The Star of Captivating Happiness", Goga is silent in the film "Moscow Does Not Believe in Tears". No, of course, some text is still pronounced. And yet Batalov is silent much more expressively. You can’t call a silent man from the cinema of Yuri Yakovlev (Dragon, Taurus). He talks a lot and with pleasure. However, his most famous role was still the most silent role in The Idiot. In a very textual film, he played an almost silent role.

Yakovlev's participation in the ingenious "Kin-dza-dze" by G. Danelia was unexpected. However, the director very accurately saw those who could be expressively silent in an alien way, putting into their "Ku" and "Kyu" an abyss of feelings, emotions and meaning. Two other well-known actors are also from the big square - Stanislav Lyubshin (Rooster, Aries) and Evgeny Leonov (Tiger, Virgo).

The fate of Leonov in our cinema is ideal. Having played an abyss of comedic roles, he still managed to play many serious and even dramatic roles (“Elder Son”, “Belorussky Station”). He was not a silent man in the cinema, but he knew how to be silent. Let us recall the famous silent scene in the "Autumn Marathon" in Buzykin's kitchen.

In addition to Leonov, Andrey Mironov (Snake, Pisces), Valery Zolotu-khin (Snake, Gemini), Sergey Filippov (Rat, Cancer), Frunze Mkrtchyan (Horse, Cancer), Alexei Smirnov (Monkey, Pisces), Borislav Brondukov (Tiger, Pisces) and others. However, their comedy is very harmonious, plastically perfect, based on the richest facial expressions. In silent cinema, these artists would not be lost in any way.

Another facet of the big square is a penchant for espionage roles. If the role of a detective requires, for well-known reasons, a sensible person (“Reasonable people”), then it is important for a spy to be silent and likeable. The best spies are always silent. The most remarkable is Yuri Solomin (Boar, Gemini), he is also "His Excellency's Adjutant". Georgy Zhzhenov (Cat, Aries) turned out to be no less remarkable spy. He was such a great spy that he urgently had to shoot a sequel to The Resident's Mistake. A wonderful spy was the above-mentioned Stanislav Lyubshin ("Shield and Sword") - Johann Weiss. Spied in "Meeting on the Elbe" Vladlen Davydov (Rat, Capricorn). However, Vyacheslav Tikhonov (Dragon, Aquarius), who played the unforgettable Stirlitz, became the number one spy once and for all for our country, for our people.

No wonder true film lovers regretted the death of silent cinema. Still, this is not a colloquial art. The Silent Ones are clearly the most talented squad among the artists. Of course, it's not just silence. The owner of a silent horoscope should be stately, graceful, should not fuss, twitch, have what is called a breed, inborn aristocracy. Then everything will match. Costume roles, directorial respect, audience love. Among stately handsome men, Yuri Vasiliev (Cat, Libra) ("Journalist", "Moscow Does Not Believe in Tears"), Evgeny Zharikov (Snake, Pisces) ("Three Plus Two", "Born by the Revolution"), Valentin Smirnitsky (Monkey, Gemini) ("Three Musketeers"), Valentin Gaft (Boar, Virgo)...

As for the brilliant artists who fell into the big square, then of course they will play anything and still be silent in the best scenes. Oleg Yankovsky (Monkey, Pisces) was silent with all the great directors. With Tarkovsky, he was silent in "Nostalgia", with Zakharov he was silent in "The Dragon" and "The Ordinary Miracle", with Karelov in "Two Comrades", etc.

Yevgeny Urbansky has exactly the same horoscope (Monkey, Pisces). I immediately recall his bewitching silence in half the film in Clear Sky. By all accounts, this was his best role.

One of the most beloved actors is Oleg Dal (Snake, Gemini). At the beginning of his film career, he played jokers and talkers. But over the years, he spoke less and less. In "Golden Mine" he played a silent bandit, in "Florisel" he played a silent prince. Everyone around is talking incessantly, including Ferry's parrot, one prince remains laconic, elegant, calm and unperturbed. The silence of the protagonist even forces the filmmakers to make an off-screen commentary (just like with Stirlitz in Moments).

Alexander Abdulov has the same horoscope (Snake, Gemini). He also liked to talk in the frame. To put him on the right path, I had to shoot him as a silent killer in Schizophrenia. Immediately became more solid and prettier.

Now about women. The big square, as already mentioned, completely equalizes their rights with men. Fascinating grace, extraordinary stateliness, subtle, unearthly beauty and, of course, huge talking eyes with a minimum of text. In a word, the same as in men. Moreover, if large-square men are almost always praised for becoming, breed, plasticity, then large-square women are reproached for the same qualities. Like, not so much playing as using natural data. And if so, then the role will not always get, and problems arise with people's love.

Let's say Svetlana Svetlichnaya (Dragon, Taurus). She became famous for the role of Anna Sergeevna in The Diamond Hand. A few words for the whole film: “Khaza, ksiva, fee, it’s not my fault”, and everything else is gestures, facial expressions, eyes. You won't be called a great actress for that.

Similar claims were made to Lyudmila Chursina (Snake, Gemini), who, in the role of Anfisa, so reliably drove all the men crazy on the "Gloomy River". With such expressive eyes, there is no need to speak a long text. It's better to remain silent altogether.

The Vertinsky sisters inherited their mother's eyes. But in addition to the genes, they also received a large square horoscope, and with it silent roles. Marianna Vertinskaya (Goat, Lion) is superbly silent in the City of Masters. Anastasia Vertinskaya (Monkey, Sagittarius) is very talkative in many roles, and yet her eyes say much more...

Another victim of critical reproaches is Elena Solovey (Boar, Pisces). The accusations are the same - too much external data. Some nonsense. It is in the large square that experiences are most profound and sincere. The reference role is the silent film star (!) Olga Preobrazhenskaya in Slave of Love.

Natalya Varley (Boar, Gemini) is silent in "Wie" and in the finale of "Prisoner of the Caucasus". Larisa Guzeeva (Boar, Gemini) is silent or sings in the Cruel Romance. Natalia Gvozdikova (Rat, Capricorn) in Born of Revolution, Isolda Izvitskaya (Monkey, Gemini) in Forty-First, Gabriela Mariani (Dog, Scorpio) in Countess Monsoreau, Lionella Pyrieva (Tiger, Pisces) in The Brothers Karamazov ”, Elena Proklova (Snake, Virgo), Rufina Nifontova (Goat, Scorpio), Tatyana Lavrova (Tiger, Gemini), etc.

The biggest actress seems to be Tatyana Vasilyeva (Boar, Pisces). She has a lot of “talking” roles, but I personally remember her for her “silent” roles. For example, the role of the psychic Kalyazina in "Walk the Line".

There may be a feeling that they are silent in a large square from an excess of solidity and self-confidence. Alas, it is not. Representatives of the large square are emotional, quick-tempered people, their nature is subtle, artistic. So their peace is deceptive, but beauty is true.

The expression "smart fool" characterizes someone who has a large amount of knowledge about everything in the world, but makes mistakes when making certain decisions. Scientific definitions, philosophical and worldly ideas are consistent with each other in that prudence is, first of all, a sign not of the presence of the mind, but of the ability to use it. How can this be seen in practice?

Thoughts of the great ones on prudence

Man's appointment is accomplished through prudence and moral virtue; for virtue makes right the end, and prudence makes right the means to reach it. (Aristotle)

Man is a receptive, feeling, rational and reasonable being, striving for self-preservation and happiness. (Holbach Paul Henri)

An all-perfect man, wise in speech, prudent in deeds, is always pleasing to sensible people, they crave fellowship with him. (Baltasar Gracian y Morales)

Thinking, we grow spiritually. (Igor Subbotin)

Reason - droplets of the mind, sometimes everyone is not enough to do good deeds! (Andrey Tabakov)

Keep your mind, no matter what happens

Let what I expected, it did not work out very well. (Alexander Shevchenko)

What is prudence?

A person begins to reason when it is necessary to find the correct solution to the problem that has arisen before him.

This is a rather complex psychophysiological process, which includes such skills as:

  • draw on existing knowledge;
  • use existing experience (your own and others);
  • analyze knowledge and experience (positive and negative);
  • draw the right conclusions;
  • decisions.

Prudence is a correct, sober understanding of the essence of what is happening around, sanity and logic in actions.

Reasoning. What is this?

The need for reasoning arises when a person wants to learn something, think about it, compare facts, draw conclusions and make a decision. Thus, this is a thought process, which is carried out in the form of judgments, conclusions. The need for reasoning arises when it is necessary to prove or disprove something, that is, when there are doubts about something.

Right reasoning leads to right conclusions and actions. They are possible in a person with normal mental development and mental health, they also depend on upbringing and social attitudes.

Qualities

Mindfulness - what is it? To find out the answer to this question, it is necessary to determine what personal qualities such a person possesses.

Many put an equal sign between the definitions of "reasonable" and "dry". Such a person seems to be an impassive, unemotional person who constantly calculates and decides something. This type of people occurs only when prudence (as a virtue) and egoism (as a disadvantage) are combined in one person. Of course, there are such people. But the emotionality and thoughtfulness of actions do not exclude each other if a person knows how to subordinate feelings to reason.

Decisiveness and prudence also do not contradict each other. In critical situations, a reasonable person is able to quickly compare all situational conflicts, to foresee options for the development of events and their consequences.

A smart person learns not only from his own experience, but also from someone else's. He has powers of observation, the skills of analyzing and synthesizing life facts, and is able to explain them from a scientific or worldly point of view. Rationalism in the choice of options for means and ways to achieve the goal (or goals) is inherent in a reasonable person. This ensures that you get what you want quickly with the least psychological and material losses. That is, wisdom and prudence coexist well in such a person. His motto is: “First I think, and then I do.”

How to become?

Discretion and virtue are considered the main virtues of a person. If a person wants to cultivate prudence in himself, then he should begin with the implementation of six basic rules:

  1. Enrich your mind with knowledge and experience, without which prudence is only a good wish.
  2. Learn Not all problems are as acute as they sometimes seem. The ability to judge which of them need an urgent solution requires a balanced approach and eliminates the chaotic emergence of new ones. Very appropriate here folk wisdom- "Seven times measure cut once".
  3. Do not let emotions take over the mind, find acceptable ways to suppress them in critical situations. Outbursts of anger, euphoria, fruitless experiences, panic about what has already happened or what is about to happen, suppress sober reasoning about what needs to be done now or then to accept right decision.
  4. Think about what will happen, how events will develop if the desired does not come true or an undesirable option happens. Having a well-thought-out fallback option instills peace of mind and a sense of confidence.
  5. Adequately assess their own significance in this world and in the lives of others. This will allow you to have a reasonable, realistic attitude to setting your own goals, to form a circle of associates and employees who are ready for mutual assistance, for constructive criticism.
  6. Encourage, praise yourself for good luck. Do not indulge in endless self-abasement, if something failed, did not take place. Depression worst enemy rationality.

A reasonable person is aware of his shortcomings and is distinguished by a desire for self-education, because he knows that such character traits as punctuality, diligence, honesty and decency are highly valued in society.

How to cultivate this quality in a child?

It cannot be denied that prudence is the most valuable helper of a person in a sea of ​​passions and problems of life. In order for him to grow up like this, parents need to make a lot of efforts, choose a certain style of family education.

Psychologists advise to exercise even small children in reasoning about what needs to be done in a particular situation, why, how best to reach the goal. Joint calm discussion with the child of the results of activities, both successful and unsuccessful, accustoms him to introspection and thinking about further actions.

The fanatical desire of parents to protect the child from adversity, deprivation of the opportunity to choose decisions, substitution of his desires with his own - this is the recklessness of the parents themselves. The acquisition of life experience requires mistakes that encourage further caution and thoughtfulness of actions. Let children make mistakes when it does not threaten their health and the health of others.

Discretion is the ability to find options for combining your interests and needs with the public. Explaining the reasons for certain decisions and actions of the adults themselves, analyzing their mistakes is an obligatory method of the parental school of life. These examples, accessible to the age of the child, can be drawn from the media, from literature, from personal life.



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