Hierarchy of witches and wizards. Myasoedov Vladimir Mikhailovich geopolitical features and hierarchy of magicians Hierarchy of magicians

The media is an imitator of eternity. Eternity (white color) is a newspaper of God and for God (magician, genie, writer, artist).

Artists create, first of all, a form - a frame and direction for energy flows of different qualities and types. This is the way of magical artists to influence the world.

Pushkin is the greatest writer-magician. He (unlike, for example, Papus, the popular French “magician” of the late 19th century) received not only a lot of money and fame for his creations, but also immortality. Although initially he was not interested in immortality, much less fame and money. He was only interested in magic. In its purest form. Pure ma-gi-ya. He wanted (tried and sometimes even succeeded) to read Eternity, this newspaper of the gods, a blank white sheet. And write it. But he did not reach the level of gins, i.e. could not instantly process all the necessary information. Therefore, he could not create like GOD or at least like a genie - from nothingness immediately, instantly build castles and the like instant materialization. Because he was still a man, but people influenced time. They are born and live with perceptions tuned to this category.

And since time is a very imperfect form of energy existence, being in it you cannot make instant (timeless and timeless) changes. That is why writers, philosophers, etc. are forced to engage in such a labor-intensive and routine process as writing... They, as creators caught in a time trap, need to write in order to create their worlds. They need all these letters, words and other tools in order to design, formulate and shape something.

Directors essentially do the same thing as writers, but they don't do it on paper. Their instrument is theater. In which, by the way, such persons are also involved as, for example, the lighting designer (lower), the designer (higher), the actors (important), the screenwriter (also desirable) and so on.

Artists– these are the designers of existence. However, writers and philosophers too, this is all one level, all of them - one way or another - formulate and direct, and some especially advanced ones even form the energies passing through them into our world, into existence. They are designers in at least two senses (as it may seem, since in fact these two meanings are one and the same) - on the one hand they formulate being, on the other hand they formulate energies that form and fill being.

So, writers (directors, artists and others like them) are guides and designers. People of form. Those who give shape and direct that which shapes and fills. This is the lowest level of magicians. Although some of them are very strong and are capable of forming realities that compete with the creations of other Genies and Gods.

Stronger of the “magical writers” (let’s agree to call this category that way) those who can, for a certain temporal recycle the segment, direct it and use it as much as possible more information. A scientist who works, for example, with statistical data and analyzes them (like Peremenovsky) is weaker than a poet who feels subtly and accurately (!) invisible and intangible emotional flows. Although a scientist may be stronger than a poet. It all depends on the sensitivity and skill of a particular poet and on the amount of information (statistical, for example) that a particular scientist has. But since the scientist has in any case a limited amount (after all, the quantity is always limited), he is still potentially weaker than any good poet, since he can potentially again touch the limitless “sheet of white color”, read this media of Eternity. (At the same time, the poet, unlike the “magician writer,” does not have to write; it is enough that he simply lives in this world. “They write writers»).

Yes. A poet may not be a writer. But he is still a conductor (that is, in the end, he is also a magician, but weaker. There is a paradox here - the poet is potentially the strongest of all, although he may not do anything, but at the same time in the hierarchy of magicians, as a rule, he is at the lowest level), he spends Eternity in Being already by the fact of its existence. For him, the main thing is to feel. As much and as strongly as possible.

But in the end, the poet is the same link as the illuminator, designer and others - unless he is also a writer (director, etc.), a “writer-magician”. Let us return here to the fact that a person (whether he is a “scientist” or a “magician writer” or another kind of magician) is always given temporary and other physical borders. Genies (and other “non-humans”) are not limited by these boundaries, although they know about them, and sometimes, out of laziness, they try to mislead a person, referring to physical boundaries and other problems related to physics in a conversation with him. Know that physics is not an obstacle for gin. If he talks about physical obstacles, this is a sure sign that he is trying to cheat with you and get out of tasks. Stand your ground and don’t even bargain with him, because bargaining is also a human matter associated with physical forms of energy(money, for example).

So, Pushkin was fascinated by magic in its purest form. And magic in its purest form is, in fact, human aspiration to break out of human boundaries and cease to be human. Become a genie, god, sphinx, angel. In order to carry out changes and actions beyond physical boundaries, direct and shape energies, read a “white leaf”, merge with a white luminous ball, enclose oneself for centuries in a “bottle of non-existence”, leave the region of the wheel of rebirth, fall into nirvana, etc. d. and so on. There can be many names and words, but the essence is one.

Yes, because genies put themselves in a bottle. And they're actually not very happy when you release them. And those three wishes that they supposedly are in gratitude, but in reality to atone for your guilt(for the ideal is non-existence) must be fulfilled, this is their revenge, which they actually do not want to do, and therefore sometimes try to evade... Although all these are already too “human” categories, and for (the) genies, as already mentioned, human categories do not work.

In general, it is clear, of course, that all these are just words, and therefore, again, the “physical form of energy” is primitive and imperfect (not accomplished, existential, procedural, if you like). And unable to embrace and describe the world of genies, gods, sphinxes and angels. And it is also clear that a “blank sheet of white” and “white color” in general is only a sign, an image, a symbol, which is also approximately different from the signified, just as your name is different from you. And that this “media of eternity” itself also seems to not exist in exactly this form. But there are people (and there are many of them, the majority of them!) who seriously read ordinary newspapers and magazines and judge based on what they read in them about the world in which they live, and this is enough for them... Do you understand what I mean?

Now that I have made the necessary reservation, you can move on. Traveling through an unfamiliar city is like traveling through the expanses of imagination (which are flows of information). You enter a gateway, but you feel: for some reason you shouldn’t go further and it’s better to go back. You turn right at an intersection onto a large street and come across an orange diner where you eat a slightly poisoned sandwich. You are essentially like a blind kitten in this unfamiliar city, and you need to learn how to navigate and gain your sight as soon as possible. Therefore, you strive to spur your imagination (which often happens when poets in their young years, out of inexperience, begin to use doping and sometimes soon turn into ordinary drug addicts and alcoholics).

You develop and cultivate your abilities (imagination, intuition and other tools of cognition) so that you can learn to walk, not crawl. This is how you get to the next stage - “writer-magician”. Bingo baby! Congratulations, you won't!

P.S. Outside the hierarchy of magicians (below) there are lower beings - insects, animals, “ordinary people”, charlatans posing as writers (such as the now famous graphomaniac blogger who writes on LiveJournal under the nickname Mr. Parker (Maxima Kononenko), and others numerous “journalists”) and some beginning and ordinary scientists.

In each coven, the leaders have their own titles: Dianic or Druidic, Celtic or Kabbalistic. In one coven this is the Magister, or Lord of Musrule, in another the high priestess, or queen. When you wish to form your own coven and choose a leader, then only you decide who, how, in what capacity and what role will play in the coven.

Hierarchy of the coven

Like religious societies from primitive times to the present day, secret magical groups that include witchcraft covens are organized according to a specific hierarchy. The direction of the group is dictated by the leader or leaders at the head. These people are usually considered stronger and wiser. They may simply be older than the rest of the group and are in charge for as long as they are elected. They themselves transfer power to a successor who deserves it. Some witches believe, incorrectly I believe, that the death of the leader of the coven was once required (periodically). Thus, his stay in power was interrupted by force. This was considered a magical sacrifice, a renewal of energy for the remaining group; energetic recharging of the coven of witches as an “entity”. Whether such a form of sacrifice actually existed, whether witches allowed themselves such pleasure or not is a controversial issue, of course, sacrifice rituals existed at many primitive stages of the development of society. However, it is possible that the rumor about sacrifices was deliberately spread by the church clergy. The fact that such sacrifices were performed by the Druids was written by Caesar, but the secret witchcraft chronicles do not mention this. Basically the concept of sin, scapegoats and atonement is absent from witchcraft. The only rituals in which elements of sacrifice are present are those in which the libation of wine and the eating of pies are performed. The rare use of minute amounts of blood in certain magical operations is not a confirmation of the necessary appeasement of the deity or atonement itself, but the only means of transmitting a certain type of magical energy that constantly lives in the blood. Many modern witches categorically refuse to use any violent methods and even refuse to use a few drops of blood, preferring to use such an old magical blood substitute as egg white. Traditionally, a coven can have three leaders, again confirming Dion Fortuna's maxim of one god, one deity, and one initiate. The leader is a man, representing the “masculine” force, takes first place; the woman - “femininity” - is in second place and the second man is the “performer” (senior assistant) - in third place. Different covens give different titles to their leaders, all equally traditional.

In covens whose members emphasize aspects of love and fertility and perform their rituals naked, the male leader is known as the high priest, the female leader as the high priestess. In those covens that emphasize the aspect of knowledge and energy, the male leader is known as the magister - master, great master or devil ("little god"), and the female as the lady or queen of witchcraft ritual meetings (Sabbat). The second man is known as the "chief mate" or "executor". He is the mediator and deputy of the leader or leaders and is traditionally dressed in black from head to toe to signify his move. Hence his old title, "The Man in Black". Sometimes in medieval France he was dressed in green and called Verdelet (French). The symbol of his position was the pilgrim's staff or staff of thorns, from which his other title "Black Rod" comes. His responsibility was to ensure the mundane functioning of the coven, to oversee the fulfillment of membership duties, to inform members of the time and place of the next ritual quarterly (Sabbat) and intermediate (Esbat) meeting, as well as what to wear, what food to bring, and so on. In the absence of a magister, the executive can and should be the leader of the coven. In those covens that focus on knowledge and energy, the lady, or high priestess, has little or no executive power. During the festival, she sits to the right of the magister, presides over some of the dances and ceremonies, and sometimes acts as a prophet or spirit medium under the magister's control.

In covens focused on the worship of a deity, the leader is the high priestess, and the high priest is simply her consort. The master can wear furs or skins, a robe or be naked. It all depends on the type of group he leads. On his head he can wear a traditional shaman’s cap with horns, more like a Viking warrior’s helmet, or a mask that covers the entire head and represents one of the totem animals: a goat, a ram, a horse, a cat, etc. The master can also wear a metal helmet , covering his entire head. Hence the playful nickname that the master is called: Old Copper Nose! Naturally, he can wear any witchcraft jewelry. The lady, or high priestess, may also wear a robe or be naked. Depending on the type of coven, Mat can be of different colors, but the most preferred color is white, although you can use black, green, red or blue. On her head she can wear a silver crescent moon with the horns up or wear her hair loosely. She must wear all her witchcraft jewelry, including the obligatory necklace. During all twelve ritual witchcraft meetings, the center of the master's helmet should be decorated with a simple short candle, which is lit while working.

This symbolizes his role as Lord of the Sun. Lucifer. Bearer of light. On some Shabbats, the High Priestess must also wear an illuminated helmet to lead the dance during the ritual meetings of the Sabbat, but on these occasions she wears an entire crown of candles. Members of the coven may wear their own robes or be naked, depending on the occasion for which the coven is assembled. As mentioned earlier, a certain uniformity in clothing is desirable. Black magic like a cassock or a knight's cape are ideal for this purpose. It is necessary to wear witchcraft jewelry. Coven members must bring their own black-handled ritual knives and wands to participate in group rituals. In the old days, untitled small nobles or nobles brought swords, and peasants brought pitchforks.

Black-handled knives and wands are their modern substitutes. During group ceremonial meetings or non-ceremonial weekly meetings, magister weaves may be called by any of the following titles, regardless of their own coven names. You already know several traditional names for various witchcraft spirits. They can be called not only independent entities, but their aspects of one divine couple - god and goddess. The leaders of the coven are the direct representatives of these witchcraft spirits during ritual celebrations.

Gemunnos is a title derived from the ancient European Celtic horned deity of the same name.

Dumuz is a title derived from Dumuzi, the young consort of the Mesopotamian Mother of God.

Puck - Also known as "Rookup" or "Wok", ■ is a horned, satyr-like malevolent spirit. This is a folklore version of the Horned God from the time of the Reformation. He was also known as Robin Artisson and Robin Goodfellow.

Cuckolded God - The Norman Isle version, possibly derived from the Welsh-Celtic deity Gadan.

Barabbas - Hebrew Bar Abba meaning son of the father or divine Son - a reflection of god incarnate.

Mamilion - the origin of this title is unknown.

Dianus or Janus is the two-faced god of the Romans, who guards the threshold of the house and blesses all endeavors and accomplishments. He is referred to by some witches as the Alpha and Omega. First and last. This is another version of the Horned God.

Janicot is a southern French diminutive of Januz or Dianus. One of the versions of Janus and Dianus, existing in Southern France.

The Devil is literally a little god. Derived from the Early Aryan stem div or dev, meaning "holy" or "shining".

Lucifer - Bearer of light. God, represented as the spirit of light and therefore the sun.

Simon - possibly related to the Gnostic magician Simon Magus.

Herne is a witchcraft name having origins in an early version of the Anglo-Saxon god Odin or Woden. God of wisdom and storm, and guardian of the dead, he walks his wild path through the winter skies, accompanied by the barking of his dogs of death!

Gogmugog is a prehistoric version of a god and goddess of gigantic size.

Andraz is a god so revered in the Weald.

Adonai or Adonis is a Hebrew name for lord. Dying god, consort of Astarte.

Sabaoth is another Hebrew name for god.

Baphomet is a horned deity allegedly revered by the Templars, a 12th-century Christian order of fighting monks. The name was constructed to mean "father" of the temple of Universal Peace among men. The first letters of this name, written in Latin and read backwards, give: Tetpli Omnium Hominum Pads Abbas or a corruption... Bathos Metis - "purification by wisdom." However, some believe that this name refers to the Buffo stone and is the ancient name of the island of Cyprus, where, according to legend, the Greek goddess of love Aphrodite was born. She was considered the progenitor of some women's witchcraft secrets.

Thus we come to the topic of the titles of the female witch leader, given regardless of whether she is appointed high priestess, or queen of ritual holiday gatherings.

Andred is the name of a witch goddess, coming from the forest in the Weald.

Bensozia is a 12th century French name for the goddess, meaning "doubtful".

Nocticula is a similar 12th century name meaning "little night".

Rhiannon - Welsh-Celtic mother goddess.

Arrianrhod is the same goddess, but only Welsh.

Herodias or Aradia is an Italian name for a witchcraft goddess who is the daughter of the Great Mother "Dione", "Dana" or "Jana". This name is mentioned in Leland's book "Aradia", which is the "Gospel of the Witches".

Habondia or Dame Habonde is a goddess regarded as the Lady of Love and Abundance.

Holda or Hulda is the German version of the goddess of Love and Abundance.

Morgan or Marrigan are Celtic names for the goddess of the underworld, belonging to Lady Death, derived from the classical Hecate. Also the half-elf sister of King Arthur. If the Lady, or high priestess, has a daughter present at the coven, the final title of "maiden" (maiden) is sometimes given to her.

Brigid or Bride - Celtic mother - Goddess of Love, bride of Adonis.

Geopolitical features of sorcerers from different regions of the world.

The cultural and historical features that influenced the formation of society also affected magicians living in one or another part of the world. Under the influence of traditions, laws, the most frequent natural disasters, climate, neighbors, flora and fauna, or even fashion, stable magical traditions have formed that have certain advantages and disadvantages. Of course, such trends were not absolute. For truly ambitious and curious people, everything that is not prohibited is permitted. And what is forbidden seems even more interesting. And for the sake of their own benefit, many are ready to close their eyes or even warmly approve of what they officially condemn. But, nevertheless, if many generations of sorcerers found themselves in more or less the same conditions, then almost identical problems arose before them. Their solution was found not by one, but by another natural scientist. Beginning wizards tried to develop their talent in the way that was most convenient for them. That is, with a minimum of effort, relying on the experience of ancestors and, if possible, avoiding the already known pitfalls of the difficult art of magic.

Empire of the Golden Dragon (China).

Asia is the largest part of the world, both in terms of territory and population. Accordingly, the diversity of the peoples inhabiting it is great, but they still have some common features. Since China is the most powerful and populous power in the region, the other neighbors, willy-nilly, adopted the dominant features of this state, albeit diluting them with national flavor. First of all, the Empire of the Golden Dragon is characterized by a close connection between sorcerers and clergy. Magicians are considered persons close to the gods, and therefore possess supernatural powers. And the higher their power, the closer they are to the celestials. The attitude is similar to magical creatures, which, however, are not in a hurry to be classified as either evil or good. Light, like darkness, is considered in this region to be only an integral part of the universe, and therefore the prince of demons, although an enemy, deserves some respect, and a divine beast from some holy mountain may well slaughter to the last person a village whose inhabitants have somehow angered his. For most of the inhabitants of Asia, religious rite and magical ritual are, if not exactly the same thing, then at least fairly close concepts. Multinationality and the presence of several religions have taught the inhabitants of this state to some tolerance towards strangers, if they do not bother them. Non-humans, depending on their appearance, power, behavior and prevailing prejudices in a given locality, can be either ordinary members of society or outcasts or rulers. The number of mixed marriages is high, exotic concubines are in demand, and the offspring of such unions often inherit increased abilities for sorcery.

Almost all wizards come from clan and caste structures, which are very difficult, if not impossible, for an outsider to enter. First-generation magicians are often separated from their families in early childhood, are not considered full members of the clan or organization that raises them, and do not perceive their biological relatives as people close to them. In states with strong centralized power, holders of weak gifts who have avoided falling into the established communities of sorcerers are provided with the necessary minimum of knowledge in government agencies and have practically no chance of promotion to at least the middle management.

The variety of schools of magic used by Asian sorcerers is very large, but methods of magical strengthening of the body traditionally have the greatest popularity in most of this region. A combination of energy practices, simple training, alchemy and some rituals give even relatively weak sorcerers excellent physical shape and increased life expectancy compared to ordinary people. Holders of the highest ranks improve their basic skills sufficiently to not be afraid of ordinary people and tragic accidents. Their flesh becomes invulnerable to conventional weapons, their body is not susceptible to disease and quickly regenerates any injuries, and their brute strength is enough to drill through a mountain without a drop of active magic, albeit for a very long time.

Traditionally, Asian sorcerers devote their attention, in addition to strengthening the body and religious sacraments, to the control of the elements and shamanism, but they may also have individual preferences such as necromancy, alchemy, the art of magical seals or demonology. However, dark arts are traditionally condemned in society, and therefore are not widely used. Technomagic and artifacts in this part of the world are also in some decline, but the reason for this mainly lies in the low industrial potential of most of the region.

The main disadvantage of sorcerers in the Asian region is considered to be slow development. Established traditions require magicians to respect the ancient wisdom contained in philosophical treatises and persistent physical training throughout their lives, which is why they devote much less time to magic itself than they could. And although various innovations are formally welcome, the high rates of progress of representatives of individual states or at least some clans are found mostly in legends. Most of the energy is spent by Asian sorcerers on internecine wars for influence and controlled territories. In addition, knowledge loss is not uncommon. There are frequent situations when archmages and masters transfer all their knowledge to only one, rarely two or three successors, who are chosen from the general mass, so that, due to their original form, they remain stronger than the rest of their peers for as long as possible, forced to be content with only a small part of the knowledge and strength available to their superiors .

In most of the black continent (excluding the northern part, which was captured by the Ottomans for the last few centuries, and previously based on the heritage of Ancient Egypt and from time immemorial in close contact with Europe), the dominant magical tradition is shamanism. The explanation for this is very simple: this direction of development of wizards is the least demanding of its adherents. It is not the sorcerer who influences the world around him, but the spirit who listens to him for some reason. The sorcerer, on the other hand, plays for the magical creature only the role of a target designator, who does not at all need to know how exactly the disease is sent or treated, what needs to be done in order to cool the air around him or why lightning flashes. Moreover, it is possible to agree on the execution of work in advance and with several entities at once, which gives the shaman the opportunity, in the hour of need, to unleash truly impressive forces in a very short time. In addition, the spirits who have entered into an agreement with the shaman may well be inherited by his students or even independently teach them everything they need in the event of the mentor’s untimely death. If such cooperation is beneficial for them, and they have some experience in communicating with people, then why not? After all, you don't even need to have a full-fledged mind to acquire useful conditioned reflexes. However, cases are not uncommon in Africa when enslaved spirits, forced to work for their master for free on pain of pain or death, at the first opportunity destroy the sorcerer and everyone who happens to be near him. And after the destruction of all living things in sight, they begin to actively take revenge on the entire human race.

An integral characteristic of a magician is his magical level, which has nothing to do with magical power, but to a certain extent characterizes his qualitative capabilities (power).

In total, there are five levels of a magician’s capabilities in accordance with the type of phase state of matter (not to be confused with elemental schools) with which he can work, as well as the method of controlling magical energy.

Magical energy is consumed in two stages: first, due to the magician’s own power, the structure of the influence itself is formed, then it is saturated with the necessary amount of energy for its implementation (maintenance). The method of receiving and transmitting energy to effect the effect depends on the level of the magician.

• 1st level - wizard, works with shaped objects. When exposed to a liquid or gas, they must be placed in a container, otherwise the impact will only occur at the point of contact. To have an effect, contact between the wizard's aura and the object is required. All energy is taken from the magician’s or accumulator’s own reserves and pumped through channels (meridians).
• 2nd level - archmage, works with observable objects (those with volume). The influence is carried out at a distance of magical “visibility”, depending on the strength of the magician. The energy to carry out the impact can be taken from natural magical flows located in the visible area and pumped through channels, which makes the magician “non-energy independent”.
• 3rd level - archmagister, works with “understood” objects, the existence of which he knows. The range of influence is determined only by the strength of the magician. The energy for influence is also taken from natural magical flows, but is not pumped through its own channels, but is directed into influence directly (direct channels are formed). The magician only exercises control, which makes his power unlimited.
• Level 4 - arhat, works with matter at the atomic and subatomic level.
• The 5th is the creator, works with matter in any form.

A higher-level mage can naturally do everything that is available to lower-level mages.

1. Wizard (magician), heroes, Stone (shape, volume, mass).

Work in direct contact with the object. The magician must see and feel the object.

2. Archmage, demigods, Liquid (volume, mass).

Working with a visible object at a distance without direct contact.

3. Archmagister, gods, Air (mass).

Working with an invisible (at a given time, from a given place or transparent) object or substance, but the existence and location of which the magician knows, transforming substances without changing their chemical nature.

4. Arhat, titans, Fire (plasma).

Working with matter at the elemental level (transforming lead into gold, etc. - the level of atoms and nuclei).

5. Creator, Demiurge, Vacuum (chaos).

The creation of existence, the creation of matter, the formation of spaces (the level of elementary and subelementary particles), the transformation of mass into energy and vice versa.

Anti-magicians have, respectively, degrees: monk, bishop, primate, apostle, almighty.

The degree is written and pronounced before the name of the magician (anti-magician).

The development of a magician proceeds from level 0+ (gifted) continuously, level changes occur smoothly: 0+, 1-, 1, 1+, 2-, 2, 2+, 3-, 3, etc.

Magic academies train magicians of level 1 - 1+, further improvement occurs on an individual basis.

Spiritual world

The spiritual world, as created also by the magician - the Creator, also has its own supporting force. It is sometimes called the "Spirit of God." The power of this force is the highest.

The "interface" or appearance of spiritual power is an angel. The Creator created angels in order to control through them the material world and its components, including man, through interaction with the souls of people, evoking the necessary images in them. Through angels, the Creator controls and supervises what is happening in the world he created. If the Creator leaves the world (for example, to create another, new one), the angels cease to function (“canned”).

The main function of an angel is to transmit information. According to the assignment, they “program” the elementals (including creating an appearance-interface) thus controlling them, including influencing material objects. With their help, according to “instructions from above,” they can protect a given object. They do not make independent decisions - they work only as a transmission link.

Due to the fact that a significant number of angels have to be created, the Creator creates managing angels who carry out management (distribution of commands, collection and synthesis of collected information) angels of the same type in their functions. Managing angels also do not have the ability to make decisions on their own, except when it is included in their “program”. An analogue of a managing angel is a chess computer that controls angels - pawns, pieces.

Hierarchy of angels (ranks):

1. Diptera - performers (junior officers), magical capabilities correspond to a magician of level 2: angels (coordinator - Mikhail); archangels (coordinator - Gabriel); started (coordinator - Anail).
2. Four-winged - organizers (senior officers), magical capabilities correspond to a magician of level 3: power (coordinator - Raphael); forces (coordinator - Uriel); domination (coordinator - Pahuil).
3. Six-winged - commanders (generals), magical capabilities correspond to a 4th level magician: seraphim (coordinator - Barkhiel); cherub (coordinator - Adoniel); thrones (coordinator - Panuil).

General leadership - Holy Spirit (Chief of the General Staff).

Everywhere in the entire universe we encounter the Principle of Hierarchy. And this is all clear and easily explained: all people are different in their level of development, and the one who is more developed stands above those who are inferior to him in the evolutionary struggle. We encounter the Principle of Hierarchy everywhere: in family, in the sphere of business, religion, politics, art, this Principle manifests itself everywhere. Likewise, in the Magical World about which I tell you so much, there is a hierarchy, a clear distribution of roles and forces. Some are MORE, and some are LESS. But. .you need to understand that the World of Magic is a WORLD OF FREEDOM, and what kind of freedom can there be if there is subordination to a hierarchical structure? After all, it is assumed that you obey/serve someone. But one of the basic/fundamental principles of Magic is the statement that the MAG CANNOT BE ANYONE'S SERVANT. In this world, in any organization, there is a clear ranking of seniors and juniors, directors/bosses and subordinates (a kind of their servants). Any religion has its leaders (partriarchs, popes, Dalai Lamas, etc.). e) who have their own “flock”, which is led by them. But in the World of Magic this is not the case. In the Magic World there cannot be a “flock” by definition. A person with a slave mindset and a desire to be a servant can never become a Magician in the highest definition this word, because a MAGIC CANNOT BE ANYONE'S SERVANT. In our reality, there are so-called "magicians"/sorcerers who make various sacrifices to various creatures of the dark world/lower astral plane, recognize their subordinate position in comparison with these spirits, use their symbolism and SERVE them. But the Magician cannot be anyone's servant. The Magician is always true to himself, believes in himself and believes in his power. So what kind of Hierarchy can we talk about? Is there really a certain ruler of the Magical World, just below him are his subordinates and lower ones ranks on the hierarchical ladder? In fact, this is a very complex question, but I will try to explain it to you with the help of associations or examples. Take for example the world of sports. You are probably well aware that there are various ratings (of players/clubs/teams) and these ratings reveal the strongest and he becomes number 1 in his field. But do you think, for example, two players (for example, the first and second rackets of the world in tennis) are servants/subordinates to each other? The answer is obvious. Most likely, it’s even the other way around: it is the first and second who are irreconcilable rivals , ready to give all their strength to win/not lose/not submit to their opponent. And although some of them are stronger and of higher rank, they in no way command/subjugate others. In fact, this example may not be entirely successful, but it will give you some understanding of what the Hierarchy of the Magic World is. In the World of Magic there is an Archmage/Premium Master/Grand Master, but despite his influence in the Magic World he never does not create situations in which those who stand below Him would become His servants. THE PRINCIPLE OF FREEDOM IN THE WORLD OF MAGIC IS UNSHAKEABLE.
NEVER give up your FREEDOM to ANYONE! Sincerely, your FLAMUS